About

alican tamtam

alican çamcı’s output includes works for small and large ensembles, electro-acoustic compositions, solo instrumental music, and sound installations. His recent works feature an investigation of sound as a potentially documentary medium. He seeks to explore this aspect through the use of field and speech recordings, found sounds, everyday materials in relation to the performative dimension introduced by the musicians in a live situation.

A native of Istanbul, Turkey, he studied composition at the Peabody Conservatory with Michael Hersch. Currently he is a Ph.D. candidate in the University of Chicago, where he continues his studies with Augusta Read Thomas, Anthony Cheung, and Sam Pluta. In addition to his studies there, he has received further instruction from composers such as, Clarence Barlow, Carola Bauckholt, Pierluigi Billone, Beat Furrer, Georg Friedrich Haas, Isabel Mundry, Alberto Posadas, and Matthias Spahlinger in masterclasses and academies such as ManiFeste 2017, Forum des Jeunes Compositeurs 2016, Impuls 2015, among others. His music has been performed by ensembles such as Ensemble Dal Niente, ECCE, eighth blackbird, Ensemble Intercontemporain, Ensemble Mise-en, International Contemporary Ensemble, Le Nouvel Ensemble Moderne, Oerknal!, Spektral Quartet, the [Switch~ Ensemble], and soloists such as Jerfi Aji, Miranda Cuckson, Gleb Kanasevich, Ciro Longobardi, Andrew Nogal, Heather Roche, Eva Zöllner, and Stas Venglevski. In addition to his concert music, his collaborative work with the Turkish filmmaker and media artist Deniz Tortum have been featured in festivals and exhibitions such as Sharjah Biennial Istanbul Offsite 2017, IFF Colombo 2014, SXSW 2013, !F Istanbul 2013, and 22nd Istanbul Short Film Festival.

Upcoming projects include two new installation works for the Pera Museum in Istanbul (featuring the pianist Jerfi Aji) and the Flood Plain Gallery St. Louis, MO.

CV

photo: Jason Thorpe Buchanan